• 5( 1 REVIEWS )
    83 STUDENTS

    This course covers concepts to compose well-crafted pieces in two voices like the masters. Designed for the intermediate student, “Practical Counterpoint 2” provides an in-depth look at musical texture, direction and form, and then using masterpieces as models, ends with you writing a collection of short pieces in two-voices.

    $85.00  USD
  • 5( 3 REVIEWS )
    139 STUDENTS

    This course is an in-depth study of textural, colouristic writing for orchestra. Through a high level of detail and detailed steps, OTL 3 is the road-map to master every element of textures, gestures and runs in order to write and use them like the great composers.

    $105.00  USD
  • 5( 2 REVIEWS )
    143 STUDENTS

    “Composer Ear Training: Diatonic” is ear training for composers who want to be able to write what’s in their head without needing an instrument, or to simply be able to access their ideas with more ease and fluency to their instrument or DAW.

    $85.00  USD
  • 5( 5 REVIEWS )
    221 STUDENTS

    Orchestrating the Line 2 is a thorough, systematic course covering the building blocks of orchestral accompaniment writing. You’ve learned harmony and voice-leading, counterpoint and instrument ranges but can’t put the pieces together in you writing? This course is designed to put the pieces of the puzzle together.

    $117.00  USD
  • 5( 3 REVIEWS )
    259 STUDENTS

    Practical Counterpoint teaches your real-world counterpoint that you can use in your music right away. This is not a bunch of dry, outdated rules but usable, creative steps to mastery of both counterpoint and the creative process for any style of music.

    $89.00  USD